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1. EMINEM SLIM SHADY EP SANDBOX AUTOMATIC PROFESSIONAL
2. EMINEM SLIM SHADY EP SANDBOX AUTOMATIC MAC
3. EMINEM SLIM SHADY EP SANDBOX AUTOMATIC CRACK

It was a hot december, niggas die on top the winterĬuz kids need them toys where santa claus don't seem them boysĭon't seem the girls around here, cuz there's jackboys downstairs Locked in cages, have em fighting over cookiesĪnd the lunch trays just happy them days ain't never killed em You wonder why them babies runnin crazy steady clappin offĬuz ain't nobody love em so their lives get tooken

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Mommies turn to zombies from that raw, because it's crack galore Stuntin every chance i get, because i had it poorīut every time i go to sleep i hear the devil at my doorĪnd i'm on them papers, so the courts i'm goin back and forthĭealin with probation man they all said i'd be back for sure I got my deal, it's getting real, i'm making game for sure By Mike Will)Īction Bronson & Statik Selektah - Miss Fordham Road (86 87 88) Mikkey Halsted - Another Day in The Ghetto (HQ) (November 14 2011) Waka Flocka & Riff Raff - I Dont Vibe Like Dat Remix Slim Dunkin & Waka Flocka -Twin Towers 2 Intro Trailer Princess Leah BREAK TREE feat.Dame Grease

Waka Flocka & French Montana - Weed & Drinks (Lock Out) (New Music December 2011) iamsu!, Roach Gigz - Golden State (Official)īobby Brackins - 'Golden State' ft. Roach Gigz 'Big Fat Beat' Official Video Directed by Remedy Visionsīobby Brackins ft. Gunplay of Triple C - How You Like Me Now J Cole retraction statement by Canibus DEC 11th 2011 (6) Kendrick Lamar - Chapter Six #Section80įowL 'Packed In Locked Out' Official Music Video Jay Jordan (Official Nine Side Music Video Mista Snipe and Big Sam 'Side 2 Side' Dir. TKO CAPONE & RIFF RAFF - We Like 2 Party (Arizona State University) Extended Version San Quinn & Tuf Luv 'Drunk in San Francisco' feat. Zilla - The Realest Produced By: A-Team(6 of 15) Kherk Cobain: Adventures of the Unicorn Dir by Nimi Hendrix (151 Feva Gang) Lloyd Banks - Cold Corner 2 (Eyes Wide) (New/2011/CDQ/Dirty/NODJ)Ī1 FT JOE BLOW LIL RUE SUICIDE DIR THA RAZOR popular artists is ignoring the artists that are most likely to have large influence on future generations of artists, etcĪyo i'm just testing a script i wrote that pulls all youtubes posted to a thread and automatically gets the title and formats such a list for ilx. I just meant that I think that because for him & many other people writing about rap in the states theres a social element to be considered, and that while some of us might spend a lot more time hunting music online, entirely ignoring the social pathways by which ppl come in contact with v.

That doesn't mean always liking them! like, there are many very popular rap songs that didn't make noz's list I think that a critic does have some *responsibility* to not pretend that his 'taste' exists in a vacuum wherein he can just completely ignore the popularity of artists. It starts to impact people's perceptions of history. You need to recognize context for example, there's a movement in record collecting known as 'random rap' which is a bunch of dudes who collect late 80s hip-hop that make compilations & highlight "lost classics" that are in reality just watered down versions of stuff actually-popular artists had already done. ― degas-dirty monet (lex pretend), Friday, Decem3:49 AM (25 minutes ago) Bookmark Why even bother having your own taste? just do a list of that year's nig cultural moments. ― degas-dirty monet (lex pretend), Friday, Decem3:48 AM (26 minutes ago) Bookmark what is this obsession with liking stuff other people like? Oh my god your personal EOY list is not meant to be about "big cultural moments".

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Of course it's fun to get yr pop culture thinkpieces on when someone gets as massive as lady gaga, and even better if the artists i find interesting are the ones people are talking about, but isn't it just massively LIFE-SAPPING to permanently have to be thinking about boring shit like mac miller just because other people tell you that you should? deciding what to talk about, where to bestow your conversation, is a political act, and i absolutely refuse to let a hivemind propel me in that.

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if we want to talk about my responsibility as a journalist, i consider it my professional duty to look beyond those voices, to unearth or boost artists who may be getting overlooked because of the inherent biases in the structure of the industry. Look the music crit conversation, and the music industry generally, is driven by very specific voices, which means that certain values are inherently privileged when it comes to deciding what gets talked about (and this conversation, this buzz, affords artists really valuable publicity even if it's not a direct stamp of approval).